The Great Tolkien Reread: The Council of Elrond, Part 1

Publicity still for Lego Rivendell
'You have done well to come,' said Elrond. 'You will hear today all that you need in order to understand the purposes of the Enemy. There is naught that you can do, other than to resist, with hope or without it. But you do not stand alone. You will learn that your trouble is but part of the trouble of all the western world. The Ring! What shall we do with the Ring, the least of rings, the trifle that Sauron fancies? That is the doom that we must deem.'
In today's chapter, we encounter perhaps the most fantastical turn of plot in the whole of The Lord of the Rings: a group of powerful people gather together for a meeting on an important topic; speak for hours without pause for rest or refreshment; give long, detailed presentations with only minimal interruption; and come to a mostly unanimous conclusion about the scope of the problem and the steps they will undertake to solve it. And all before breaking for lunch. It's a long chapter, and we will divide our discussion of it into two parts: first about the past, and second about the future.

The first, and much longer part of "The Council of Elrond" is dedicated to each of the attendees giving their own bit of personal history or received knowledge about the Ring and Sauron's attempts to recover it. In other words, it is mostly exposition, and it's a testament to Tolkien's skill as a crafter of invented mythology and history that these passages work as well as they do. Elrond's history of the Ring, from its crafting, to the fall of Eregion, to the forging of the Last Alliance between elves and men, to the death of Isildur, has the same epic scope and irresistible narrative flow that will later work so well in The Silmarillion (unsurprisingly, since those stories had already been written in some form when The Lord of the Rings was begun). But I am also partial to Glóin recounting the trash-talking between DĆ”in, the king under the mountain, and the messenger of Sauron when the latter demands the Ring ("the least of rings", as he claims and as Elrond mockingly repeats) or news of Bilbo—"'Consider well, but not too long,' said [the messenger]. 'The time of my thought is my own to spend,' answered DĆ”in. 'For the present,' said he, and rode into the darkness"—and Boromir's combination of belligerence and befuddlement at having walked into what, to him, is a situation straight out legend.

The story I want to talk about, however, is Gandalf's tale of his imprisonment at the hands of Saruman. This revelation both explains Gandalf's absence throughout Book One (which enabled the story of that book, and thus Frodo's transformation over the course of that journey, to occur) and sets up one of the major villains of the rest of the novel. It also contains one of the most interesting—and potentially troubling—exchanges in all of The Lord of the Rings.
I looked then and saw that [Saruman's] robes, which had seemed white, were not so, but were woven of all colors, and if he moved they shimmered and changed hue so that the eye was bewildered.

'I liked white better,' I said.

'White!' he sneered. 'It serves as a beginning. White cloth may be dyed. The white page can be overwritten; and the white light can be broken.'

'In which case it is no longer white,' said I. 'And he that breaks a thing to find out what it is has left the path of wisdom.'
I have a vivid memory of reading The Lord of the Rings as a teenager, on my second or third go-around with it, coming to this passage, and stopping dead. Rereading it again and again to see if I could come to a conclusion about its meaning. "He that breaks a thing to find out what it is has left the path of wisdom". How do we feel about that, gang? Because I, personally, am pretty conflicted.

At the most basic level, there's a kind of storybook logic to Gandalf's pronouncement—don't kill the goose that lays the golden eggs. In the context of Middle Earth, in which there is a dwindling number of powerful objects and craftworks that nobody knows how to recreate, there's a certain logic in simply letting them be. This, however, is not exactly what Gandalf and Saruman are talking about. The choice of the broken white light feels extremely pointed. Isaac Newton's use of prisms to refract a white beam of light into the full spectrum of color is, arguably, the starting pistol for the Enlightenment and the scientific—and, later, industrial—revolutions. Saruman will continue to be associated with industry and its evils for the rest of the novel, first through the deforestation of Isengard and the breeding of the Uruk-Hai, and later through his destruction of the Shire. The idea of breaking something as elemental as light to look at its components also recalls the atomic bomb, which Tolkien likened the Ring to in his introduction to the novel.

It is, obviously, unsurprising to find Tolkien staking a position against industrialization, a theme that will recur throughout the novel, culminating in its shocking final chapters. And it is possible to read "breaking a thing apart to find out what it is" as a metaphor for extraction, for taking apart something beautiful or long-lived in order to extract the value from its components. In The Lord of the Rings, this sort of extractivism is mostly expressed through the felling of trees (and trees, in Tolkien's cosmology, are emblematic of the divine; their destruction an act of ultimate evil). But we also see the fear of it when Legolas worries that the dwarfs, if loosed on the glittering caves beneath Helm's Deep, would rip out all their gems, while Gimli assures him that they would approach the caves as reverent, cautious caretakers.

It feels to me, however, that Gandalf's proclamation—so decisive, so categorical—is expressing something much deeper than a distrust of rampant industrialization or resource extraction. Taking a thing apart to find it what it is made of and how it works is, after all, sometimes necessary. It is the foundation of much of science—we would not have modern medicine, for example, without scientists who dissected dead bodies, often over the objection of moral and religious authorities. It is, I would argue, foundational to the pursuit of knowledge. It is that pursuit that Gandalf—and perhaps through him, Tolkien—seems to be setting himself against when he speaks to Saruman. Knowledge, of the power of the Ring and of Sauron's own power, is what has driven him from the path of wisdom, and to a path that tells him, on the one hand, that it is useless to resist Sauron, and on the other hand, that it would be good to become like him.
A new Power is rising. Against it the old allies and policies will not avail us at all. There is no hope left in Elves or dying NĆŗmenor. This then is one choice before you, before us. We may join with that Power. It would be wise, Gandalf. There is hope that way. Its victory is at hand; and there will be rich reward for those that aided it. As the Power grows, its proved friends will also grow; and the Wise, such as you and I, may with patience come at last to direct its course, to control it. We can bide our time, we can keep our thoughts in our hearts, deploring maybe evils done by the way, but approving the high and ultimate purpose: Knowledge, Rule, Order
What sort of knowledge is there in Middle Earth? There is lore, the knowledge of old stories and old languages, that allows Gandalf to read documents long hidden in the library of Minas Tirith and uncover information that not even Denethor is aware of. There is craft, often practiced by the elves to make their beautiful things, their ships and rings and even their rope; a practice that is at least semi-magical, an imbuement of objects with the intention and virtue of their maker. And there is mastery, over objects left behind from an earlier, greater age, such as Aragorn's ability to bend the palantĆ­r to his will. But nobody is making new palantĆ­rs, and nobody—or rather, nobody good, and nobody whose works can be turned to good—is pursuing new knowledge, new ways of understanding the world. 

Saruman's pursuit of knowledge, which he holds out as an inducement for his plan to ally himself (temporarily, he claims) with Sauron, is not merely an indication of evil or cowardice. As Gandalf tells us, in the line that has troubled me for nearly thirty years, it is a sign that he has left the path of wisdom. Later in the novel we will see Saruman brought low, not simply because his forces have been defeated, but because the people who were once his equals or inferiors will come to look on him with pity and contempt. The pursuit of knowledge, we will be made to understand, has turned him into a fool.

To be clear, none of this should be news. The stasis in Middle Earth's technology tree is as baked into this world as the song of Eru and the discordant notes added to it by Melkor. It is present everywhere in the story, if only through the absence of things that we might take for granted—consider, for example, the hobbits turning north or east in their journey to Rivendell, but never with the aid of a compass. What's startling in this exchange between Gandalf and Saruman is how baldly, how nakedly, it states its terms. It's a moment that can't help but establish that a gulf exists between us and this story (and perhaps, between us and that story's author). And maybe that's a good thing. The Lord of the Rings is one of my favorite novels, but it has a definite point of view that I can't always agree with. It's useful to be reminded of that.

Next time: Our discussion of "The Council of Elrond" continues on June 2nd. How do you solve a problem like the One Ring?

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Comments

David said…
I tend to agree, but I also remember that Tolkien came from an era where science had been heavily deployed for mass slaughter and other great evil. The catastrophe of World War I would not have been possible without the Industrial Revolution. World War II, even more catastrophic, without a great deal of science underpinning it. I can see the dangers he might feel in that. (The line about the Wise controlling Sauron also reminds me of the Prussian aristocrats idea that they could control Hitler)
Scott said…
I don't think the warning about breaking things to find out about them is meant to encompass something like dissection -- a dead body is no longer a living being after all -- but more something like vivisection -- as the Greek philosophers of Alexandria did to slaves to find out how their organs worked.
Unknown said…
It is interesting that no one really gains knowledge of things besides themselves in the books. Bilbo picks up a lot of lore in between The Hobbit and Fellowship but we never see him learning it. There's a British sort of conservatism in Tolkien's conception of roles. The text admires the Gaffer because he's a gardener who is the most skilled at gardening. Gandalf has the lore and magic inherently from being a wizard. Learning things by picking things apart might mean that people might advance beyond their standing (I wonder how much of this is Tolkien, the aged Oxford don, looking at the massive enrollment at the university post-war and thinking nothing good can come of that).
Matt Hilliard said…
In Tolkien, the main way you learn is by studying with someone else. Saruman learned what he knows by studying with the Aulƫ (an off-brand Hephaestus) whereas Gandalf studied with Nienna, a sort of goddess of mercy. Only when absolutely necessary, you can also learn by reading a lot of old books, as Gandalf does in Minas Tirith to discover what happened to Isildur and the ring. I'm not an expert on Oxford but I believe this mirrors how people study at Oxford with its tutorial system.

What I find interesting about the Gandalf "breaking a thing" line is what Saurman says in response: "You need not speak to me as to one of the fools that you take for friends." In other words, he accuses Gandalf of saying vapid things that sound wise to impress people. Potentially a valid accusation in this case!
Matt Hilliard said…
Oh, and while Aulƫ is supposed to be a great guy, his student list is disconcerting: Sauron, Saruman, and Feanor. Not great! And perhaps reflective of Tolkien's (unconscious?) distrust for people who create things. Good people create art whereas bad people create technological innovations. These days I think we tend to see Tolkien's crafting of stories as a similar enterprise to creating, say, Silmarils, and Saruman does mention writing on pages, but he doesn't seem to have seen it that way.
Adam Roberts said…
Knowledge as curiosity, is what Tolkien deplores. In his commentary on Psalm 8, Saint Augustine insists that there are three kinds of sin (‘namely, the pleasures of the flesh, of pride and curiosity’) that in themselves contain all sin:

"Now these three kinds of vice, namely, the pleasure of the flesh, and pride, and curiosity, include all sins. And they appear to me to be enumerated by the Apostle John, when he says, Love not the world; for all that is in the world is the lust of the flesh, and the lust of the eyes, and the pride of life. 1 John 2:15-16 For through the eyes especially prevails curiosity. To what the rest indeed belong is clear. And that temptation of the Lord Man was threefold: by food, that is, by the lust of the flesh, where it is suggested, command these stones that they be made bread: Matthew 4:3 by vain boasting, where, when stationed on a mountain, all the kingdoms of this earth are shown Him, and promised if He would worship: Matthew 4:8-9 by curiosity, where, from the pinnacle of the temple, He is advised to cast Himself down, for the sake of trying whether He would be borne up by Angels. Matthew 4:6 And accordingly after that the enemy could prevail with Him by none of these temptations, this is said of him, When the devil had ended all his temptation. Luke 4:13" [Augustine, "Enarrationes in Psalmos" (Exposition of the Book of Psalms; transl Tweedy, Scratton and Wilkins 1847) 1:70]

It was a common-enough Renaissance attitude (Lancelot Andrewes: ‘under these three heads come all temptations’; The Wonderfull Combate Between Christ and Satan [1592], 23) although it strikes a strange note by modern standards to see curiosity singled out like that. We are, I suppose, more likely nowadays to see curiosity as a positive, and indeed as the crucial virtue shared by the scientist and the creative artist. Not so traditional church teaching. It is one of the ways that Lord of the Rings is really quite an old-fashioned book that it takes the Augustinian line here. The most ‘curious’ individual in the novel is Saruman, who uses his gifts and skills to peek and pry into the mysteries of nature, to break up the white light, to build all manner of curious devices and generally to make the world a worse place. Gandalf, by contrast is wise rather than curious, and part of Tolkien's point is to encourage us to reflect on the ways those two terms not only aren't the same thing but are actually mutually exclusive.
Graven said…
It is, I would argue, foundational to the pursuit of knowledge. It is that pursuit that Gandalf—and perhaps through him, Tolkien—seems to be setting himself against when he speaks to Saruman.

This seems like too much of a jump to me.

I don't know if you've read Tolkien's Letters (previously, or recently during this re-read), but I think there are some relevant passages in them. When taking about Bombadil, Tolkien writes this:

But I kept him in, and as he was, because he represents certain things otherwise left out. I do not mean him to be an allegory – or I should not have given him so particular, individual, and ridiculous a name – but 'allegory' is the only mode of exhibiting certain functions: he is then an 'allegory', or an exemplar, a particular embodying of pure (real) natural science: the spirit that desires knowledge of other things, their history and nature, because they are 'other' and wholly independent of the enquiring mind, a spirit coeval with the rational mind, and entirely unconcerned with 'doing' anything with the knowledge: Zoology and Botany not Cattle-breeding or Agriculture . Even the Elves hardly show this : they are primarily artists.

And despite that last sentence, speaking of the Noldor - the Elves he was clearly most interested about - specifically in another Letter:

The particular branch of the High-Elves concerned, the Noldor or Loremasters, were always on the side of 'science and technology', as we should call it: they wanted to have the knowledge that Sauron genuinely had, and those of Eregion refused the warnings of Gilgalad and Elrond. The particular 'desire' of the Eregion Elves – an 'allegory' if you like of a love of machinery, and technical devices – is also symbolised by their special friendship with the Dwarves of Moria.

I should regard them as no more wicked or foolish (but in much the same peril) as Catholics engaged in certain kinds of physical research (e.g. those producing, if only as by-products, poisonous gases and explosives): things not necessarily evil, but which, things being as they are, and the nature and motives of the economic masters who provide all the means for their work being as they are, are pretty certain to serve evil ends. For which they will not necessarily be to blame, even if aware of them.

(continued in next comment)
Graven said…
Certain biographical facts about Tolkien might also be relevant. He seemed to show a significant interest in botany, and showed pride for his aunt, one of the first woman to take a science degree. And most importantly, Tolkien was himself a philologist. That might not be a "natural" science, but it certainly pursues knowledge! About the past, but still knowledge. And what's more, in light of the quote we're discussing, it literally does it by "breaking" words into pieces to analyze them!

I think it's fair to say Tolkien had an ambiguous view of science and (especially) technology as applied science, but his concerns are primarily about motives, methods and goals. The speech you quote from Saruman ends with Knowledge, but it's primarily about Power. His previous dialogue about the color white is again about exercising power to change the essence of something - dying white cloth, overwriting (not just writing, overwriting) a white page, and yes breaking white light. In contrast, Bombadil represents "pure" science because his motives are entirely unselfish. Naked extraction is a significant part of it, but I think he'd view even pure curiosity as selfish if it was done purely for one's mechanical satisfaction, with no regard or love for the things being studied, and the effects on them of being studied.

It is true that nobody's making new Palantirs in LOTR. But the original creation of the Palantirs isn't treated as a bad thing. Gandalf even speaks of their creator Feanor and his creation of them with a kind of reverence, despite his rebellion against Gandalf's bosses and the misdeeds Feanor committed. Even the Rings, despite having much more active Power over things, aren't *inherently* a bad thing - the Three are, after all, still good and wielded by the good characters for good uses until the end.

Ultimately, I think it's mostly just a call for an ethical pursuit of science. Somewhat harshly put - I imagine the various destructive uses science was put to in WW2 colored it emotionally - but not some blanket rejection of the "pursuit of knowledge".

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