Asking the Wrong Questions

I promise, at some point I'll go back to writing about things that aren't superheroes.  Though that would require Hollywood to stop blasting superhero stories at us in such close succession (I haven't even written anything about the second season of Daredevil , though you can get a sense of the existential despair it plunged me into from the thread starting at this tweet ).  Coming at the end of that barrage, it's perhaps understandable that the third (or sixth, or eighth) X-Men movie should be met with a muted, not to say exhausted, response.  And some of the reviews have gone further and been downright brutal .  I'm here to say that both of these reactions are unearned.   X-Men: Apocalypse is by no means a great movie, and it has some serious problems.  But I still found myself enjoying it a great deal more than any other work in this genre since Deadpool .  Perhaps this is simply the relief of a superhero story that is not about grim-faced men tak...

It's been two weeks since Captain America: Civil War opened (a week in the US), and I think it's time to call it: the conversation surrounding this movie has been surprisingly, and disappointingly, muted.  Most reviews seem to have reached a consensus of good-movie-that-handles-its-politics-well, which, even notwithstanding that I only agree with the first part, feels like only scratching the surface (meanwhile, the more character-focused conversation on tumblr has tended to revolve around the kind of arguments that only serve to remind me why this is a good life rule).  Around this time after the comparatively incoherent Age of Ultron , we were practically swimming in thinkpieces and conversations, and while Civil War doesn't have as obvious an outrage hook as awkwardly implying that infertile women are monsters, one would think that people would still be able to find things to say about it.  Perhaps the truth is simply what I suggested in my own review : that the wor...

It's a bit of a strange thing to say, but I might have liked Captain America: Civil War better if it were a less good movie.  When films like The Dark Knight Rises or Batman v Superman: Dawn of Justice deliver rancid political messages wrapped in equally rancid plots and characterization, the reviewer's job is made easier.  We can point to how a failure to recognize the actual complexity of a situation, or to imbue characters with full humanity, both informs and reflects the simplistic, quasi-fascist message of the movie.   Civil War is a trickier customer.  It tries--and on some level, manages--to be more intelligent and more thoughtful than something like Batman v Superman .  Its characters take the film's central conflict seriously, discussing it rationally and trying to find a way to resolve it without descending into fisticuffs.  But even as they do so, they reveal the inherent impossibility of their project, the way the core assumptions of this en...

Even as we reel from yesterday's Hugo nominees and impatiently await tonight's Clarke nominees, Strange Horizons has published my review of Sofia Samatar's second novel The Winged Histories .  I wrote about Samatar's first novel, A Stranger in Olondria , a few years ago, and was blown away by the beauty of its language, the complexity of its worldbuilding, and the nuanced view it took of the epic fantasy genre.  The Winged Histories , which is a sort of companion volume to A Stranger in Olondria , is very different from it, though no less excellent.  It is, in some ways, a more conventional novel, focusing on the main events of a civil war within a fantasy empire, where Stranger took place on the fringes of that war and featured a protagonist who just wanted to get away from it.  But like Stranger , Histories is an examination of its genre, of storytelling, and of the very project of imposing narrative on one's life.  It touches on issues like colonialism...

Some people must really enjoy losing to No Award. — Abigail Nussbaum (@NussbaumAbigail) April 26, 2016 I have to be honest, my first reaction to this year's Hugo ballot (and even before that, to the rumors of what was going to be on it), was to sigh at the thought of going through this whole thing all over again.  I'm tempted to just link you to last year's reaction post , because pretty much everything it says is still applicable this year, though with the notable difference that there's a lot less urgency to the process this time around.  Last year, I was pretty sure that the puppies were going to be trounced in the voting phase, because I've been following the Hugo awards for a while and I know how they function, and how they tend to punish astroturf nominees.  This year, I'm absolutely certain of it.  Come August 21st, at least four of the categories on this year's ballot will have been won by No Award.  We all know it.  Probably the puppies know i...

The summer before last, at LonCon, I participated in a panel about "The Gendered AI"--those characters, either robots or disembodied artificial intelligences, who are seen as possessing a gender (where gender almost always means female, since maleness is still considered an unmarked category, and genre fiction rarely distinguishes between a robot that is genderless and one that is male-identified).  One of the points raised in the discussion--and which, since then, has come to feel even more central to it--is the question of what it even means to assign gender to a machine.  Does placing an artificial intelligence in a body designed to look (and feel) female make it a woman?  To me, it felt as if the question of the gendered AI touched less on issues of feminism, and more on issues of transness--albeit from the opposite direction than the one in which trans people experience their gender.  For characters like Cameron on The Sarah Connor Chronicles , or Samantha in He...

To get the obvious stuff out of the way, Batman v Superman: Dawn of Justice is a terrible movie.  I mean, you didn't need me to tell you that, right?  It's been out for three weeks, and the reviews have been so uniformly terrible that its 28% freshness rating on Rotten Tomatoes actually seems a bit high.  And before that consensus formed, there were the pre-release reviews, which were if anything even more brutal.  And before that, there were the trailers.  And before that, there was Man of Steel .  And before that, there was the overwhelming majority of Zack Snyder's career.  No one should be shocked by the fact that Batman v Superman turned out to be a bad movie, and though I have to admit that I was surprised by how bad it turned out to be--bad enough that even with my expectations lowered by all the factors listed above, I was still surprised by its badness; bad enough that my brother and I spent an hour after the movie enumerating its many flaw...

After a couple of lean years, 2016 is shaping up to be a great reading year.  If things continue at their current pace, I will have read more books in the first four months of the year than I did in all of 2015, and while there's a bit of cheating involved in that--my numbers this year have been padded by a lot of quick reads, such as comics or standalone novellas--it's also good to be back in the swing of reading regularly and even voraciously.  I've just returned from a two-week holiday during which I read a great deal (though of course I ended up buying more books than I read), and more importantly, reading a lot of satisfying, interesting work.  I don't know if I can keep up this pace for the rest of the year, now that my time is more encumbered, but this is certainly a good start. Nimona by Noelle Stevenson - It doesn't come as much of a surprise to learn that Stevenson's standalone comic is based on strips she originally published online, because the...