Asking the Wrong Questions

The last Strange Horizons review of January is Edward James's take on Kate Elliott's Cold Magic , which is actually a reflection on the two fantasy sequences Elliott has already written, to which the trilogy that Cold Magic begins is a continuation.  On Wednesday, Graham Sleight reviews Susan Hill's ghost story The Small Hand , which he finds a little old-fashioned in its willingness to tie up all its loose ends, especially compared with other modern literary ghost stories like The Little Stranger .  Yesterday Nathaniel Katz made his Strange Horizons debut with a review of Haruki Murakami's After Dark , a novel which, according to Nathaniel, makes a fantasy setting out of nighttime Tokyo.

The voting form for the Locus Award is online , and for the second year running, Locus continues in its policy of giving its subscribers a full vote, while non-subscribers' votes count for half (the policy was actually introduced three years ago, but in the 2008 awards it was decided upon only after the votes were counted).  I wrote last year about why I think this is wrong, but just to recap briefly: I think that to ask people to vote in a poll where they get half a vote is an insult, and I don't think that we should take it.  If Locus wants to close its awards to its subscribers only, that's their right.  But right now it looks as if the magazine wants to enjoy the cachet of having the largest voting base in the field while treating some of those voters as second-class citizens.  I don't think they should get away with this.  If you're not a Locus subscriber, I urge you not to vote in the Locus poll. I should note that I've been considering becoming a ...

The story thus far: On January 28th, Bitch Magazine posted a list of "100 YA Novels for the Feminist Reader."   The list is affiliated with Bitch Magazine 's lending library , and was posted by Ashley McAllister, who is listed on Bitch 's staff page as library coordinator.  Predictably, commenters began suggesting additions to the list and, in smaller numbers, objecting to the books on it.  On January 29th, commenter Pandora objected to the inclusion of Jackson Pearce's Sisters Red , a retelling of Red Riding Hood in which two sisters hunt werewolves, citing objections raised against the book in a post made last July on the blog The Book Smugglers .  In that post, the bloggers highlighted a scene in which one of the sisters scornfully watches dressed-up girls waiting to enter a night club and muses that they are inviting attack.  Both reviewers felt that Sisters Red didn't do enough to complicate or counteract this victim-blaming perspective.  That s...

Mary Gentle's name came up several times, in several contexts, in the discussion that sparked Niall's women in SF project --as an example of a female writer of science fiction who moved to the greener, more inviting pastures of fantasy, and as an example of a female author whose work is overshadowed by men doing similar work--I haven't read Gentle's Ash , but Adam Roberts argued that it did many of the things its fellow Clarke nominee (and later winner) Perdido Street Station did when it combined an SFnal attitude with a fantastic setting.  I have read, and loved, Gentle's historical fantasy 1610: A Sundial in a Grave , and this project seemed like the perfect opportunity to read her science fiction, specifically the Orthe duology-- Golden Witchbreed (1984) and Ancient Light (1987). Both novels are narrated by Lynne de Lisle Christie, a human sent to Orthe as an envoy.  In Golden Witchbreed she represents Earth's first contact wing, hastily erected and st...

As well as my own review of The Half-Made World by Felix Gilman, these week Strange Horizons features Matthew Jones's review of the film Monsters , which makes me all the more eager to see it.  There's also an interesting discussion in the comments.  Today also marks the Strange Horizons debut of Aishwarya Subramanian, who reviews Karl Alexander's sequel to his 1979 novel Time After Time , Jaclyn the Ripper .  She finds the novel utterly baffling, but the review is a lot of fun to read.

Before we get started, some other reading projects inspired by Niall's focus week .  At Torque Control , new blogger Shana Worthen is planning to read and host discussions of the eleven books selected in Niall's poll of the best SF by women from the last decade.  The schedule is here .  Martin Lewis, Martin Wisse and Ian Sales have also embarked on similar projects to read SF by women during 2011.  The first installment of Ian's series, on Rosemary Kierstein's The Steerswoman , is here .  Finally, as Chance reminds us in the comments to Martin's post, she's been blogging about women writers since before it was the popular thing at a blog with the self-explanatory name of 365 Days of Women Writers .  Happy reading to everyone, and kudos to Niall for inspiring so many people. On to Gwyneth Jones, who, like Joanna Russ, is a name that has come up a lot in discussions of SF by women and feminist SF in the last couple of years.  My first foray into her...

My review of Felix Gilman's The Half-Made World appears today at Strange Horizons .  This has been one of the most well-reviewed genre novels of the last few months, and though I found much to admire and enjoy in it I fall short of the ecstatic praise that has been heaped upon it.  I was more enthusiastic about Gilman's debut novel Thunderer , which I reviewed here several years ago.

This week's Strange Horizons reviews kick off with something a little different: Karen Burnham's review of Mary Roach's popular science book Packing for Mars: The Curious Science of Life in the Void , which Karen finds funny and fascination.  On Wednesday, Shaun Duke (in his reviews department debut) makes an argument in favor of Tron: Legacy and its worldbuilding, though the discussion in the comments has turned mostly on whether the film's plot holds together.  Today, Hannah Strom-Martin enthuses about Mike Allen's third collection of "strange and beautiful" stories, Clockwork Phoenix 3 .  In addition, John Clute's column Scores appears this week, and its subjects are Johanna Sinisalo's recently-translated Birdbrain and M. Rickert's new collection Holiday .

My review of the essay collection With Both Feet in the Clouds , edited by Hagar Yanai and Danielle Gurevitch, has been nominated for the 2010 BSFA award in the best non-fiction category.  It joins a ballot made up of two blogging projects (Paul Kincaid's four - part discussion of the 2010 Hugo nominees at the group blog Big Other and Adam Roberts's epic review cycle of Robert Jordan's The Wheel of Time ), Francis Spufford's Red Plenty , a work of creative nonfiction (which Farah Mendlesohn and Niall Harrison insist is actually a novel), and Gary K. Wolfe and Jonathan Strahan's Coode Street Podcast .  A slightly crazy and mismatched set, which I think is about right, as it gets at the way that the science fiction community has been using the internet, in its various guises, to proliferate opinions and criticism, while leaving space for traditional publishing.  I don't expect to win, nor do I think that I should--as pleased as I am by how the Clouds revi...

In the second post in my series about reviewing at the Strange Horizons blog, I discuss the question that occurs long before the editor gets down to editing: which books (and films and TV shows) to commission reviews of? As seems to happen quite often in discussions of genre or reviewing, the question of what to review boils down to a choice between prescriptive and descriptive. Is a reviews department a paper of record, reporting on the state of the genre and on the important names at its core, or is it a partisan platform, evangelizing for little-known writers and works and reflecting an inevitable editorial bias? Is its purpose to report on tastes, or to make them? Follow the link and add your thoughts.

This week's Strange Horizons reviews begin with Paul Kincaid's take on 80! a festschrift published for Ursula K. Le Guin's 80th birthday last year and now being made publicly available.  On Wednesday, Chris Kammerud take his first look  at Philip José Farmer's writing in Up the Bright River , a collection of Farmer's short fiction, and finds Farmer more interesting and more varied than he expected.  Finally, Kelly Jennings  reviews the two latest books in Liz Williams's Inspector Chen series, The Shadow Pavilion and The Iron Khan , and finds them both entertaining and interesting.

When Niall Harrison launched his project to highlight SF written by women by polling for the best such novels from the last decade, I reviewed my reading lists and came away feeling mortified.  I know that I don't read as many books by women as I should, but it turns out that I had read almost no SF by women at all.  So the end of 2010 and the beginning of 2011 are dedicated to rectifying that situation, with an ambitious reading list and a perhaps even more ambitious blogging plan (but then, one of my goals for 2011 is to blog more about books, and to that end I've laid out several reading projects for the year).  The first stop on this tour is Joanna Russ, an author and critic whose presence on my radar has been growing steadily over the last few years, usually in the context of feminism and SF criticism, but whose books are frustratingly hard to come by.  Happily, a confluence of used book finds over the course of 2010 left me with four of Russ's books with which...

I've been the Strange Horizons reviews editor for just over two months, and in that time two things have become crystal clear.  One, the zombie novel thing has gotten completely out of hand, and two, I need to articulate what I want from the department's reviews, and what I think a review should or shouldn't do.  As I say in my post at the Strange Horizons blog: It's easy, when you're writing your own stuff, to get by on gut instinct—something feels right or it doesn't, and if you've got a good editor (like Niall) they can often help you articulate what isn't working, what you're trying to accomplish, and how to fix it. ... since I've started editing other people's writing, I've found myself struggling for words, for the tools with which to explain what I want for the review department, and how specific reviews are failing to bring their point across, or sometimes just muddling it.  I've felt a keen awareness of the need for some...

A few months ago, io9's Annalee Newitz called Caprica "one of the most literary scifi shows ever aired," and this strikes me as right, not necessarily because of the show's themes, as Newitz claims, but because the type of world Caprica was set in, and the story it told in that world.  It's a rather rich irony that the spin-off to a series whose core failure was its writers' lack of interest in worldbuilding, and their willingness to sublimate their SFnal world to a present-day allegory, had some of the best SFnal worldbuilding ever seen on TV, and the fact that Battelstar Galactica gained not only fannish but critical acclaim while Caprica received neither (a few blips notwithstanding, such as New York Magazine 's Emily Nussbaum (no relation, alas), who seems both nonplussed and excited by the show's use of virtual reality) probably says everything that needs to be said about the current state of televised SF.  Caprica is set in a world in whi...