My
review of Mary Gentle's
The Black Opera appears today in
Strange Horizons. I've liked pretty much everything else I've read by Gentle, particularly
1610: A Sundial in a Grave, which
The Black Opera resembles in several ways, so it was a particular disappointment to discover that her latest effort is a baggy, unconvincing exercise. Better luck next time.
1 comment:
I'm trying very hard to get back into this one, but I was attracted to it primarily for the opera aspect (in which I am an expert), and early on the intellectual history is such a mish-mash that I can't figure out if it's deliberate or just casual errors. It would have to be a very different Europe in some small but profound ways to present what sounds like a grand opera on the French Revolution in 1820 in *Naples*.
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