This evening will see the announcement of the winner of the 2013 Clarke Award, after the more than normally contentious response to this year's shortlist. At Strange Horizons, I take on the traditional task of reviewing the shortlist (in two parts)--for the first time since 2008, which means I've had five years to forget how exhausting a task this is, but also how much fun. At the Strange Horizons blog, Niall Harrison has collected other reviews of the nominated books (including several others from Strange Horizons), as well as the various responses to the shortlist that have appeared in the last month (in three parts).
In other self-promotion news, my review of Frances Hardinge's A Face Like Glass was selected to appear in the inaugural volume of SpecFic, a series seeking to highlight online genre criticism, with the first volume edited by Justin Landon and Jared Shurin (as were several Strange Horizons reviews). A full list of contributors can be found here, and the book itself can be purchased here, with proceeds going to the charity Room to Read. SpecFic '13 is already in the works, and if you'd like to suggest works for that anthology, editors Ana Grilo and Thea James have set up a website--my first (and admittedly, not terribly original) choices are Sophia McDougall's utterly essential "The Rape of James," which I'll be referring to from now whenever the question of "realism" in grimdark fantasy crops up, and Jonathan McCalmont's "How to Fix (Discussion of) the Hugo Awards," which says a lot of what I would have said about this year's Hugo nominations, and the depressingly toxic conversation that has emerged around them, if I'd had the energy to wade into it.