The first thing that must be said about this movie is that it should not work. It's a prequel to one of the most mind-blowing, groundbreaking, and just plain revolutionary action movies of the 21st century—and prequels are a bad idea in most cases, but all the more so when the character they revolve around has already given you their entire backstory in their original introduction, which is also the final, culminating act of their character arc. (To put it another way, if you had asked me, nine years ago, which character I thought offered more fertile ground for prequel storytelling, Imperator Furiosa or Han Solo, I would have picked Han without a moment's hesitation, and I don't even like Han that much.) And it's a follow-up to a movie whose chief virtue lies in its conciseness—in being a single, drawn-out, pulse-pounding, increasingly deranged car chase. Which means you can either try to repeat that accomplishment, which will inevitably feel a bit old hat; or you can
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(Also, Keira Knightly looks like she'd collapse into a heap of panting bone if she walked three miles unassisted.)
I think that the new adaptation will be enjoyable on a different level -- I'm a bit of a sucker for ridiculous romantic stuff, so I think I'll be able to deal with the Bronte-esque bits. :) Although the Austen-lover in me stomps her feet in protest at the outrage, I'm going to make an attempt to enjoy it regardless. (I wish myself luck.)
I'm one of the interlopers from Bookslut. And a Jane Austen fan. Great list. I was punching my husband in the arm during the trailer: "They're about to kiss! They're Austen characters ... they shouldn't kiss!" I didn't mind the romantic license in Persuasion but Miss Bennett is not Anne Elliot.
However, I have no plans to compare this new P&P with the BBC/A&E version. My benchmark will be the 1940 Olivier/Garson movie: if the acting is half is good and the editing of the narrative only half as distracting in the new movie than it was in the old, I'll leave the movie theatre quite happy.
I really enjoyed it (and I'm a fan of the BBC one), and while it's necessarily contracted for time, it is by no means a bastardisation.
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