When Paul Lynch won the Booker last year for Prophet Song , a near-future dystopia in which Ireland falls under the sway of a fascist government, there was the predictable hoopla over whether the book could, or should, be read as science fiction. But it seems to me that the SF community missed a trick several months earlier, when it failed to herald the longlisting of Martin MacInnes's In Ascension for the same award. Not only is In Ascension undeniably science fiction, featuring such core tropes as interstellar space travel, new star drives, and contact with aliens; it also seems very much in conversation with some key genre works which deal with these very topics, most obviously Carl Sagan's Contact and the movie adapted from it. As in that story, the novel is told from the point of view of a young, female scientist who ends up at the center of a global effort to respond to indisputable evidence of the existence of alien intelligence. But whereas Contact used that premise...
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(Also, Keira Knightly looks like she'd collapse into a heap of panting bone if she walked three miles unassisted.)
I think that the new adaptation will be enjoyable on a different level -- I'm a bit of a sucker for ridiculous romantic stuff, so I think I'll be able to deal with the Bronte-esque bits. :) Although the Austen-lover in me stomps her feet in protest at the outrage, I'm going to make an attempt to enjoy it regardless. (I wish myself luck.)
I'm one of the interlopers from Bookslut. And a Jane Austen fan. Great list. I was punching my husband in the arm during the trailer: "They're about to kiss! They're Austen characters ... they shouldn't kiss!" I didn't mind the romantic license in Persuasion but Miss Bennett is not Anne Elliot.
However, I have no plans to compare this new P&P with the BBC/A&E version. My benchmark will be the 1940 Olivier/Garson movie: if the acting is half is good and the editing of the narrative only half as distracting in the new movie than it was in the old, I'll leave the movie theatre quite happy.
I really enjoyed it (and I'm a fan of the BBC one), and while it's necessarily contracted for time, it is by no means a bastardisation.
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