- Elizabeth Bennet is not a 'ahead of her time'. Her refusal to marry Mr. Collins is not modern (indeed, the notion that mercenary, loveless marriages are somehow a thing of the unenlightened past is quite naive). Elizabeth is very much a woman of her time. She doesn't want more from her life than marriage and family. She doesn't want to break out of a woman's place in society, or out of her social class. What she wants is a husband she can love and respect, and there's nothing modern about that.
- "From Jane Austen, the beloved author of Emma and Sense and Sensibility". Gee, I wonder why those books? Could it possibly be because they're the ones that have gotten the Hollywood treatment most recently?
- No one who really thinks P&P is a book about a woman "who discovered the one person she can't stand is the one person she may not be able to resist" has any business coming near an adaptation of it.
- Mr. Darcy and Elizabeth are pulling in for a kiss during the first proposal scene.
- "From the producers of Bridget Jones' Diary and Love, Actually"
- "You have bewitched me, body and soul." That's coming from Mr. Darcy. It's finally becoming clear--this is Pride and Prejudice by way of Wuthering Heights.
- Because anyone who thinks the world needs another P&P after the Firth/Ehle version is clearly insane.
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Comments
(Also, Keira Knightly looks like she'd collapse into a heap of panting bone if she walked three miles unassisted.)
I think that the new adaptation will be enjoyable on a different level -- I'm a bit of a sucker for ridiculous romantic stuff, so I think I'll be able to deal with the Bronte-esque bits. :) Although the Austen-lover in me stomps her feet in protest at the outrage, I'm going to make an attempt to enjoy it regardless. (I wish myself luck.)
I'm one of the interlopers from Bookslut. And a Jane Austen fan. Great list. I was punching my husband in the arm during the trailer: "They're about to kiss! They're Austen characters ... they shouldn't kiss!" I didn't mind the romantic license in Persuasion but Miss Bennett is not Anne Elliot.
However, I have no plans to compare this new P&P with the BBC/A&E version. My benchmark will be the 1940 Olivier/Garson movie: if the acting is half is good and the editing of the narrative only half as distracting in the new movie than it was in the old, I'll leave the movie theatre quite happy.
I really enjoyed it (and I'm a fan of the BBC one), and while it's necessarily contracted for time, it is by no means a bastardisation.
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