Reviews: Absence and The Heart of the Nhaga at Locus
My June 2026 Locus column had a bit of an informal theme of considering the influence—acknowledged and unacknowledged—on the works under review. Plastic, Prism, Void , which I discussed earlier this month, was reviewed though the lens of how it fit—and defied—the category of romantasy. My two other reviews, both published online in the last week, are of works that seem to draw inspiration from more specific sources. Andrew Dana Hudson's debut Absence feels like a mashup of The X-Files , The Leftovers , and the MCU's "blip" arc. It imagines a world in which people disappear at random and with no apparent explanation, and follows two government agents who travel to a small town to investigate a woman who claims to be the first person to have returned from such a disappearance. Hudson takes these inspirations and makes them his own, but he also uses their fusion to craft a touching reflection on the recent pandemic and how it affected both institutions and indivisuals....