Yes, Even Worse Than the Enterprise Theme Song
After three episodes, I remain agnostic about the Battlestar Galactica prequel series Caprica: interested enough to keep watching, but not so interested that the show's by-now all-but-guaranteed cancellation bothers me overmuch. The one conclusion I have come to, however, is that this series has the very worst opening titles sequence ever aired on television.
The images are far too on the nose--Joseph Adama is kneeling before a tombstone (which conveniently bears his name) because he's mourning for his wife and daughter; Sister Clarice hands the symbol of the monotheistic cult to Lacy because she's indoctrinating her--and the Blade Runner-esque visual sensibility (with the zeppelin at the end adding a slight steampunk touch) is entirely at odds with the actual show's look, which can best be described as Naturalism Askew--familiar interiors and exteriors made strange through delicate touches of futuristic technology or unfamiliar design choices. Most of all, the plasticity of the animation recalls pulp SF, not the respectable image that Caprica is obviously trying to project. One gets the sense that the core concept was something along the lines of opening credits to Carnivalé or Rome--distinctive, richly imagined and realized credits that definitively established the show's emotional tone and visual palette--but there was either not enough talent or not enough money at work to do the job, and what results is the exact opposite of the sophisticated, mainstream-friendly show that Caprica is trying to be.
The images are far too on the nose--Joseph Adama is kneeling before a tombstone (which conveniently bears his name) because he's mourning for his wife and daughter; Sister Clarice hands the symbol of the monotheistic cult to Lacy because she's indoctrinating her--and the Blade Runner-esque visual sensibility (with the zeppelin at the end adding a slight steampunk touch) is entirely at odds with the actual show's look, which can best be described as Naturalism Askew--familiar interiors and exteriors made strange through delicate touches of futuristic technology or unfamiliar design choices. Most of all, the plasticity of the animation recalls pulp SF, not the respectable image that Caprica is obviously trying to project. One gets the sense that the core concept was something along the lines of opening credits to Carnivalé or Rome--distinctive, richly imagined and realized credits that definitively established the show's emotional tone and visual palette--but there was either not enough talent or not enough money at work to do the job, and what results is the exact opposite of the sophisticated, mainstream-friendly show that Caprica is trying to be.
Comments
The Enterprise theme is still the worst.
That said, I usually don't pay much attention to such things except maybe once a season.
Which is probably what I'd say about the credits on their own, too.
I got that sense from BSG, but not yet from Caprica. Right now the show still seems to be mostly story - getting all the pieces to their starting positions on the board.
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