Asking the Wrong Questions

Most recent reading roundup are a grab-bag without much of a unifying theme. This batch of novels, on the other hand, seem to share a certain sense of the unheimlich. They are stories about apocalypse, war, environmental collapse, or just people who are struggling to find their place in a hostile world. I suppose there are conclusions to be drawn from that—about the kinds of books I'm reading, or the kinds of books that inspire me to write about them. Either way, this means that alongside my recommendations—and this is a particularly strong group of books—I also have to issue a warning. If you're particularly worried about the state of the world right now, these might not be the books for you; if you're looking for something weird and disturbing, however, you might find your next read here. The Invisible Hotel by Yeji Y. Ham - For most of its length, Ham's debut novel keeps you guessing about its genre. Is it a horror story, or a naturalistic one? Another way of puttin

After staking out such a staunch position in favor of negative reviews on my last appearance , it's perhaps a little surprising that Dan Hartland and Aishwarya Subramanian decided to invite me back for a guest stint on the Strange Horizons reviews department's podcast, Critical Friends . This time around, our conversation took a more positive approach. We talked about the role of critics in the fannish conversation, the process of putting together my book, Track Changes , and the process of "canon-building", especially in the context of the New York Times's recent project to compile a list of the best books published in the 21st century . The podcast can be found on all podcasting platforms as well as the Strange Horizons site , where you will also find a transcript. Track Changes can be purchased at the Briardene Books shop , or on Amazon ( US , UK ).

I wrote this on a train on my way to London, and am posting it from home. My Worldcon adventure has decisively concluded. This was my sixth time attending a Worldcon (the first was Montreal in 2009), and as ever I find that they are dizzying, overwhelming experiences, incredibly intense and yet seemingly over in a minute. I thought I'd round up some thoughts on the con, my events, and of course, the Hugos. First up, Glasgow 2024 hosted the launch of my book , Track Changes: Selected Reviews . This was my first opportunity to see the book as a completed object (Briardene Books publisher Niall Harrison trucked boxes and boxes of it from his home in Newcastle) and I can confirm that, even beyond the satisfaction of seeing a work you've labored over for more than a year take physical form, it is a beautiful object. We held a launch event for the book on Friday, and despite the fact that nearly everyone I spoke to about it seemed to have another event to go to (more on that in a mom

Hello from Worldcon at Glasgow, where I have a copy of my review collection Track Changes in my hands, and where it can now be purchased both from dealers at the convention, and online from the Briardene Books website or from Amazon ( US , UK ). In honor of the day, I have a short reflection on John Scalzi's series The Big Idea , discussing the process of reviewing nearly twenty years of criticism and selecting from it what is worth collecting and preserving. Going back to your old work can be painful. Your writing isn’t as good. Your ideas aren’t as developed. There is sometimes a shocking naïveté. But you also get to watch yourself get better, figure out the tools of the trade. How to construct an argument and back it up with evidence. How to keep from getting lost in the weeds of a digression. How to turn your back on the seductive freedom of an online format that lets you go on for thousands of words, and do the same work more effectively at a shorter length (well, relatively

The first season of Interview With the Vampire , based on the famed (and already-adapted) novel by Anne Rice, was something that I approached with a bit of trepidation, and quickly fell head over heels for. I'm not a fan of Rice's novels or the book's previous adaptation, and yet this new version of Louis, Lestat, Armand, and their endlessly convoluted and tortured relationships quickly won me over with smart writing, great performances, and sharp humor. In its second season, which aired earlier this summer, the show shot past its previous high performance and quickly became one of the best shows on TV. As I discuss in my review of the second season in Strange Horizons , a big part of that achievement comes down to the fascinating games it plays with faithfulness to its source material. Published in 1976, Anne Rice's Interview with the Vampire has a fair claim to being one of the most influential novels of the late twentieth century. Wildly successful in its own right—